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Humor despite war – Persepolis | Marjane Satrapi

Persepolis by Marjane Satrapi

Persepolis is an autobiographical depiction of Marjane Satrapi’s life in Iran in the late 1900s. At the time, Iran was fraught with internal conflicts and external influence – a rebellion against the reigning Shah in 1979 followed by the war with Iraq, all of which resulted in Iran becoming a theocratic nation today, governed strictly under the rules of Islam.

Into a country where all kinds of media or potential influences against Islam go  through strict scrutiny, Marjane Satrapi’s Persepolis is a one-sided glass window. It lets the outside world peek into the life of Iranians at the time, particularly the author’s own life. The book is divided into two parts. The Story of a Childhood is about a young Marjane Satrapi who grows up in Iran when it was rebelling against its monarchy. The Story of a Return deals with a mix of teenage confusion and the sudden need for Western assimilation that she is suddenly faced with.

It is no doubt that what first draws any reader to Persepolis is the lure of a glimpse into life in Iran, a working model of a theocratic nation. What makes them stay is the endearing way that Satrapi honestly tells her story – all her mistakes and decisions and conflicts – her growth from being an all-knowing kid who boasted about her uncle’s torturous treatment in prison to a girl who tries to find her identity in a foreign nation while being emotionally stuck in her own country.

In a way, Persepolis takes Haruki Murakami’s quote and flips it over:

In the midst of [death], everything revolved around [life].

The most wonderful thing about the book is how light-hearted it remains despite being engulfed in war. Maybe it was a recollection of Satrapi being a child, thus being protected by her parents. Or it might have been a reflection of her personality – her rebellious side and her natural nonchalance – as described by one of her friends; the kind of personality people might silently evolve into to hold their own against an oppressive regime.

Despite high expectations, Satrapi has a way of making you fall in pace with herself. The smooth transitions between storytelling and narration makes it feel like you’re having a tete-a-tete with her. It also helps that she provides an unbiased and in-depth analysis of her own life. So when the gravity of her worries shift from the latest bombing to friends she feels alienated from, you understand the transition completely while still wondering at the extremities. You can see all the factors going into creating and re-shaping her personality – her nation’s political situation, her cross-culture exposure, her education, reading and the unconditional support of her parents. All things aside, Persepolis is also a shout-out to feminism, the urge of not conforming to society and continuing the journey to discover your identity. It is a reveling story illustrated such that the images will keep coming back to you for a long time.

 

HEADS-UP

If you’re not used to reading comics, you can still pick this up. But give yourself some room to adjust to the form of representation and don’t hurry yourself. While people say it easy to read comics, I feel the best illustrated ones are usually a tad more tedious to read than regular novels, because there is so much more information flowing into the brain. In the end, it will definitely be worth it.

 

QUOTES/PANELS

 

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[Comikist] All about Craig Thompson

Have you read Craig Thompson yet? And I swear I’m not cheating by putting the name of an artist here instead of a list of comics. It’s not like I don’t have a list. Pfft… How could you even think that? It’s just that the list is two specific books by Craig Thompson – Blankets and Habibi. In that particular order.

Blankets by Craig Thompson
Habibi by Craig Thompson

Thompson’s work, I believe, exemplifies comics as an art. I don’t know where to start talking about it – the exotic stories or the art that merges seamlessly into words. The ink splattered goodness is so heavenly, you can literally tear off every page of the comic (if you have the heart to), get them framed and hang them on your walls. I have lost count of the number of seconds (err… minutes) I have spent lost in a single page while reading the book. And not just while reading, but afterwords. Like googling a quote you’re itching to remember, I’m often stuck looking for a particular page from one of the books, or trying to replicate it by drawing it myself when I can’t get enough of it.

Blankets
Habibi

Books are supposed to teleport us into worlds different from our own. Most do it through stories and in novels, the writing style makes all of it happen. Comics, on the other hand, become a double-edged sword. While the images might complement the story, they might even be distracting for the reader, because there is a lot of input to the brain, the flashy images, the stills, the dialog boxes and the words themselves. Craig Thompson executes the style perfectly; so that you feel like the protagonist is holding your hand and leading you through all the confusion that is their story while still have time to swoon over the art.

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Blankets

Then their is the story. Or stories. All of them. The ones I have read till now and the ones I am saving for later, all of them justify the beautiful art they are soaked in. Be it Blankets, where Craig weaves you a story of his first love, each thread spun with nostalgia, or Habibi, a story of slaves and sheikhs as bitter as folklore. If the art is beautiful, the stories enchanting, and tempting you to peak into the future by turning just a few pages.

Even if you don’t read comics, I would urge you to make this one author an exception. If you’re looking for a comfortable spot to edge into the comic world, this is a good way to ease your foot in the door. For starters, I’ll recommend Blankets. And only of you absolutely love Thompson’s style, move to Habibi.

While Blankets is at the end a story – a fond remembrance of Thompson’s first love, Habibi is more of an artistic expression. At many places, it feels like a peak into the author’s mind and his drawing style rather than just a story. I liked the book, but a huge reason behind it is my admiration for Thompson’s art, which made occasional expansions and digressions in the book interesting as it let him expand on how he draws. But for readers who are just interested in the story, these diversions just put them off. In Blankets, the pace of the story is more suited to the readers.

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Habibi

So the verdict is, read Blankets for sure. And if you feel like you start craving more of Thompson’s style, give Habibi a shot.

 

 

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More on comics I’m reading

 

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Comikist – My comic pick list

I have just recently been washed up on the shores of the gigantic sea of graphic novels. I like to think that I’m not a complete novice, because I am somewhat familiar with the world of manga. But the fact that I’m fairly new to graphic novels, is still just that – a fact. I’ve been picking up and sampling a number of comics these days, and here’s my opinion on some of the Marvel ones.

bp-coverBlack Panther #1 – #8: Ta-Nahesi Coates, Brian Stelfreeze, Laura Martin

Black Panther has been one of my favorite avengers ever since I read Civil War. He has that mysterious aura around him (which has nothing to do with how he always wears black) and his personality, which jjust exudes class. My interest in him is also somewhat influenced by Storm being his love interest and their wedding scene from Civil War which was just breathtaking.

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Coates however divulges into the world of Wakanda with utter submission. He never fails to bring in subtle aspects of the culture which I can only partially appreciate as I’m not as acquainted with African culture as I would like to be. He doesn’t give up the questioning yourself characteristic trait of a superhero, though it is more subdued (maybe because Wakanda is so obviously in chaos and everyone is doubting T’Challa anyway).

What bought me over to Coates’ side is the constant discourse on monarchy and politics which definitely gives you something to chew on.

Without doubt, these discussions are the treasure trove of the black panther comics. Brian Stelfreeze does a wonderful job with the art. I love the simplicity of T’challa’s costume, the masks that capture the rebelling women and how the colours flow from Wakanda to the dream world to where the rebels are hiding.

This comic has the potential to be a gem in Marvel’s crown of comics with its thoughtful discussions and beautiful art.

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Mosaic #1 & #2: Geoffrey Thorne, Khary Randolph, Emilio Lopez

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Remember how I was talking about the self-doubting superhero in Black Panther, Thorne takes all that self-doubt into his hands, wraps it in a fabric of moral obligations, and throws it out of the court of Mosaic.

An acclaimed and repulsively overconfident basketball star, Morris, who has everything in his life – skills, fame, a loving girlfriend, a father as constant support – suddenly has everything brutally taken away from him leaving behind a superpower that feels more like a curse. The only way for Morris to survive is by possessing (or rather becoming) other people and living through them.

The simplicity of the art in the comic contrasts with how intricate Morris’s powers are. Since the comic is in the starting stage, the story is still not developed enough to form a definitive opinion.

One thing I’m really looking forward to is how Morris grows into his superpowers and his view on being a superhero, because he is definitely not one right now.

I also like the name ‘Mosaic’ as a complement to Morris’s powers. Even if the people he’s lived in may forget what happened to them, Morris does not. And some part of them remains in him and will definitely affect his personality. I really like the lettering in the books, done by Joe Sabino, especially when Morris has a personality breakdown during body snatching.

As Mosaic is still developing, I will just be another reader on the sidelines. For now, I can say that it is definitely grippy.

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Groot #1-#5: Jeff Loveness, Brian Kesinger

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This is my first comic on anything related to the Guardians. I’m surprised myself that it took me this long seeing how much I loved the movie. But somehow, Guardians without the music did not really appeal to me that much. However, I feel like I didn’t understand enough of Groot’s personality in the movies except to recognize him as an overly friendly tree who’ll go to any lengths for his friends.

I wasn’t a fan of the art style chosen in the comic. The lining was too harsh even though the expressions were interesting. I didn’t get the dig at Superman with the Kor/Al scene either. What I did like about the comic was how Groot’s character was center stage. You could see the effect he had on people around him, even with his limited three-word vocabulary. The little adventure with silver surfer was fun too.

I wouldn’t call Groot a favorite, though it is good enough for when I’m missing the duo. I did have doubts about the series since it stars a character that can hardly speak. But I soon realized that Groot’s personality needed no more words. I may still grow into the comic. 

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The Mighty Thor #1 – #7: Jason Aaron, Russell Dauterman, Matt Wilson

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The new Thor has been raging strong in The Mighty Thor continuing from where it left off in Thor. The war of the realms that was hinted at since the beginning is finally gaining speed as more realms are thrown into turmoil. I have been a fan of Aaron’s work ever since the first Thor came out. Feminism aside, what drew me into the story was that the new lady Thor is just so… badass. And when the identity was finally revealed at the end, it was a perfect win.

If you’re into women superheroes or even if you would like to give it a start, this is just the book. If not that, the Thor universe in itself is pretty sticky. There is a lot happening in this series with rainbow bridges, light elves, crazy CEOs, Loki being Loki, the All-Father being incredibly stubborn, Malekith being enchantingly evil, and Thor flying around wielding Mjolnir. 

I also forayed into The Unworthy Thor just so I can know what was happening with Odinson all the while that the lady Thor was stealing all the glory. All because the new  comics got me so into the world of Asgard.

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That is all on my mind from the Marvel side of the universe.

So what have you been reading lately?

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One Piece Museum Tokyo – My Experience

The Strawhats celebrating around a table with Nami sitting holding a beer mug, Luffy and Usopp dancing around and Robin sitting and looking at them fooling around

Let me warn you first. There is a huge side effect of visiting the One Piece Tower. And that is a strong unbeatable urge to rewatch the entire damn series from episode 1. If you are a One Piece fan, you would know how dangerous this could be for your social life. I couldn’t fight it and now I’m stuck in Baratie waiting for Enies Lobby to happen and all those feels to hit again. So, consider yourself warned.

Getting there

  • If you’re travelling on a Tokyo Metro pass, you can take the Hibiya Line to Kamiyachou station and then walk towards the Tokyo Tower (700 meter walk). The red tower is really easy to spot so you wouldn’t have much trouble.
  • Alternatively, if Toei line works too, you can take the Toei Mita line to Onarimon station (850 meter walk to Tokyo Tower) or the Toei Oedo Line to Akananebashi Station (650 meter walk after that).
Tokyo Tower
One Piece museum globe exhibition in front of Tokyo Tower
Tokyo Tower

Tips before you go

  • Try and get the tickets online here if you want to save on the 200 yen.
  • If you can, take atleast one person with you so you don’t have to randomly ask strangers to get that pic with Law. Go on a One Piece fan hunt if you have to. Going alone is not that bad either, just a little inconvenient
  • Check the timing of the live show when you reach and keep it in mind so you don’t miss it. There are machines near the entrance of the show where you can get tickets in advance and you need those tickets to get in. On a day with more rush, don’t forget to get those tickets as soon as you reach.

The Experience

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I cannot begin to describe what the One Piece tower meant to me. It was an afternoon of wonder and pleasant surprises. There are a lot of activities so maybe going in a group will help. But if the group is devoid of One Piece fans, you’ll find yourself in many awkward overexcited situations with your companions giving you a blank look probably rethinking your friendship.

The one piece segment spans three floors of the Tokyo Tower. The entrance ticket costs JPY3000 if you get it online and JPY3200 on spot. It is a horde of picture points and games. The picture spots made me regret going there alone a little but it was a successful visit nonetheless. There was one game for every member of the crew and also, a live show.

Highlights

The Entrance

As soon as you enter, after watching a 360 degree theater with heartfelt scenes from across all seasons of the series, you end up in a dark room with the Strawhats lurking in every corner. The figurines are so realistic I almost lost my mind.

One Piece Museum Tokyo
Marimo and Curly brow
More of the crew’s Hangouts
Frranky Shogun
Bone to be wild

Zoro’s Soul of Edge

The entrance to the attraction is an exhibition of all kinds of katana’s. You’d waste no time in spotting Mihawk’s huge sword hanging down the wall to your right as you go in. The line leads you into a small booth where they give you one (unreal) katana and make you stand facing a screen. You then have to fight a pacifista and random cannon balls as the software registers your real life moves. When the pacifista shows up, you have to get into a particular stance which is also the time when they take a sneaky little pic you can buy later for a 1000 yen. I didn’t have that much money so I just took a pic of the pic but I encourage you to make a decisive and amazingly Zoro like one so you are proud of yourself instead of laughing maniacally and spoiling the pic.

A huge sword with blade black as night and a golden hilt hung at the center of the wall; Dracule Mihawk's cross necklace is hung to the right
Yoru – Mihawk’s sword

Robin’s Finding Poneglyph

Here they give you a real talking denden mushi. You heard it. A.real.talking.Denden Mushi. And you know who is talking from the other side? Can you guess? It’s Robin. Robin. She was talking in Japanese so I didn’t understand shit but I think I can rest in peace now.

The game itself is about finding hidden poneglyph marks all over the place, scanning it with the denden mushi and finding more of them. I drifted into all sorts of dark and probably non-visitor places in the amusement park carrying it, so the game can be a bit dangerous for overexcited people with no sense of social boundaries. While the game itself is pretty enjoyable, you feel like a stalker sometimes when you follow other groups with a denden mushi hoping they’d lead you to other poneglyphs. There are also nicer people who’d tell you where they found the hidden symbols themselves so you do not have to resort to your baser instinct. I turned out to be pretty bad with this though with a measly 56% of the poneglyphs found.

Brook’s Horror House

The name says it all. For me the funniest part of this attraction was the family in front of me. In particular, the son in the family in front of me. It was like a comedy skit. The boy was so scared of the house that he ran out of the place and then came to tell me it was too scary for him and that I should leave too. Two seconds later, his mom came rushing out looking for him trying to take him back in. Seeing her brother get all this attention, the little girl stomped out of the house and away from the attraction followed by her father asking her to come back. Somehow the entire family gathered and went back into the house, before the boy apparently decided he really couldn’t take it, got out again and walked towards the exit from the outside to wait for his family.

The horror house was not really scary (‘You’re a scaredy cat, little boy’), and if I’m saying it’s not scary, you can probably skip through it taunting all the wannabe demons. It was an alright attraction. The best part was catching a glimpse of the ghost woman, Perona.

Chopper Southend sunny issue Exploration

You have to go here. Actually there will be so much time you’ll probably go to all the attractions but I really took my time with this one. It had Sanji and the kitchen, Nami’s and Robin’s room with their cabinet and clothes and little animation snippets with Chopper and Brook.

Sanji in the Kitchen
Robin’s and Nami’s Closet
Robin’s Closet
Nami and Robin’s Room

Luffy’s Endless Adventure

A life sized figurine of luffy's back as he walks forward

Can I just say this is the best part? It is like an interactive animation of the entire series and a retelling of the precious moments of all the Strawhats. I almost cried here. There was Shanks giving Luffy the hat, the Enies Lobby scene with Robin, a model of Nami’s map room at Arlong’s that Luffy destroyed and… Ace. It was like a tribute to all that has happened in the series till now. They played little parts of the movie on a huge screen at the end too.

Shanks bequeathing the Strawhat to Luffy
Enies Lobby – ‘I want to live’!
Luffy’s Memories
Luffy’s Memories
Tunnel of Flames – The road to Ace’s memory
Hall of Mirrors
THE DOOR!! The door where Luffy recovers from Magellan’s Poison
Aaccccee guuunnn!!
Ace
Strawhats in the News

The Live animation

Frankly, this was not as interesting as I thought it would be no matter what the pictures make you think. Infact it was a bit funny and kiddish at some points because the characters’ faces did not really match with the characters. A great experience nonetheless.

Scene from the live action show – Luffy, Law and Kizaru
Scene from the live action show – Sanji and Zorro

Mugiwara and Tongari store

The Tongari store is inside the amusement park. The best thing I found there was the Franky hand pillow (you heard it). The mugiwara store on the ground floor of the Tokyo Tower has a huge collection. The best part is the One piece soundtrack playing in the background while you shop.

I think that the One Piece Tower is a place all One Piece fans will enjoy. It is a half day in Tokyo you would never forget.

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