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Humor despite war – Persepolis | Marjane Satrapi

Persepolis by Marjane Satrapi

Persepolis is an autobiographical depiction of Marjane Satrapi’s life in Iran in the late 1900s. At the time, Iran was fraught with internal conflicts and external influence – a rebellion against the reigning Shah in 1979 followed by the war with Iraq, all of which resulted in Iran becoming a theocratic nation today, governed strictly under the rules of Islam.

Into a country where all kinds of media or potential influences against Islam go  through strict scrutiny, Marjane Satrapi’s Persepolis is a one-sided glass window. It lets the outside world peek into the life of Iranians at the time, particularly the author’s own life. The book is divided into two parts. The Story of a Childhood is about a young Marjane Satrapi who grows up in Iran when it was rebelling against its monarchy. The Story of a Return deals with a mix of teenage confusion and the sudden need for Western assimilation that she is suddenly faced with.

It is no doubt that what first draws any reader to Persepolis is the lure of a glimpse into life in Iran, a working model of a theocratic nation. What makes them stay is the endearing way that Satrapi honestly tells her story – all her mistakes and decisions and conflicts – her growth from being an all-knowing kid who boasted about her uncle’s torturous treatment in prison to a girl who tries to find her identity in a foreign nation while being emotionally stuck in her own country.

In a way, Persepolis takes Haruki Murakami’s quote and flips it over:

In the midst of [death], everything revolved around [life].

The most wonderful thing about the book is how light-hearted it remains despite being engulfed in war. Maybe it was a recollection of Satrapi being a child, thus being protected by her parents. Or it might have been a reflection of her personality – her rebellious side and her natural nonchalance – as described by one of her friends; the kind of personality people might silently evolve into to hold their own against an oppressive regime.

Despite high expectations, Satrapi has a way of making you fall in pace with herself. The smooth transitions between storytelling and narration makes it feel like you’re having a tete-a-tete with her. It also helps that she provides an unbiased and in-depth analysis of her own life. So when the gravity of her worries shift from the latest bombing to friends she feels alienated from, you understand the transition completely while still wondering at the extremities. You can see all the factors going into creating and re-shaping her personality – her nation’s political situation, her cross-culture exposure, her education, reading and the unconditional support of her parents. All things aside, Persepolis is also a shout-out to feminism, the urge of not conforming to society and continuing the journey to discover your identity. It is a reveling story illustrated such that the images will keep coming back to you for a long time.

 

HEADS-UP

If you’re not used to reading comics, you can still pick this up. But give yourself some room to adjust to the form of representation and don’t hurry yourself. While people say it easy to read comics, I feel the best illustrated ones are usually a tad more tedious to read than regular novels, because there is so much more information flowing into the brain. In the end, it will definitely be worth it.

 

QUOTES/PANELS

 

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Musical Stories Spellbindingly Narrated – Nocturnes | Kazuo Ishiguro

Nocturnes by Kazuo Ishiguro
Genres: Fiction, Contemporary, Short Stories, Music

 

Kazuo Ishiguro is a name that has gained quite a lot of favor in the literary world recently owing to his Booker Prize winner – Never Let me Go. So it is of no surprise that when I spotted a hardcopy with a pretty cover and a tagline ‘Five Stories of Music and Nightfall’ authored by Kazuo Ishiguro, I instinctively picked it up.

Nocturnes is a collection of five short stories, spinning around music in Europe, nostalgically narrated and abruptly ended. I vaguely remember reading An Artist of the Floating World by Ishiguro, but these stories have a similar charm to them – a style that inexplicably weaves the reader into the narrator’s world.

A common thread across these stories is a love or pursuit of music and fame or the desire for recognition Then there are the troubled couples, lovers whom life has slowly clinched apart and those who are still inching closer and finding each other. But they only form a part of the story, a background tune. Rather, it’s the fleeting moments shared between strangers connected through music that form the chorus, with the impending goodbye as the crescendo.

In some ways, these stories are about travelling and meeting new people – who you never really know except in the few hours that they decide to spend with you. It’s about people who you wish you could have known better or people that bring out a different side to you – sometimes they are inviting and mysterious like a tune you can’t get out of your head, and then, as suddenly as they appeared, they disappear and become another of those strangers you might catch a glimpse of from afar.

Nocturnes builds up a rhythm of its own. It has the kind of stories you would exchange with unfamiliar faces across a campfire, a bit to impress but really to avoid forgetting them yourself. These are stories that don’t necessarily lead to a well-formed ending but have still somehow stayed with the narrator all along – eternal mysteries wrapped around quirks in a stranger’s behavior.

The book is a light read that draws you in and shows you the colorful, vibrant and nostalgic world of a stray musician – full of lies and dreams. Even if you’re not the short story kind, if you’re looking for a change of pace and love music enough to experiment with it, Nocturnes is definitely a go-ahead. And if you’ve read anything else by Ishiguro, I wouldn’t mind a recommendation myself.

P.S. This was slow in coming to me but I finally remember why the title sounds strangely familiar. Think Neil Gaiman and his graphic novel Sandman – no wonder then that this nocturnes has a dream-like aura itself!

 

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A Treat of a Book – A Man Called Ove | Fredrik Backman

 


A Man Called Ove by Fredrik Backman
Genres: Fiction, Contemporary, Slice of Life

 

Let me start with this fact.
One of the major characters in this book is a cat and Ove (the grumpy old man who’s the lead, as is evident from the title) has a name for said cat.
There. For those who find this information enough, I wish you pleasant reading as you make your way to your favorite bookstore to get a copy.

Meanwhile, I’ll try to present a better case for why this books is hands-down the sweetest book I’ve ever read. This is a book that restored my trust in humanity. No kidding. It’s not to be read for some thrilling plot or an edge-of-a-cliff storyline, but to explore the characters and know more about them with every turn of the page. And even though the story is as everyday as it gets, you’ll still find yourself surprised by the small connections and the small moments that inevitably strike a chord in your heart.

Then there is the viewpoint of Ove – an old, painfully righteous, man living alone. Ove, as the book itself puts, is the type of person you just don’t find in the world anymore, except in the grandfather age generation, maybe; the type that will find a nasty way of saying the nicest things; the type that are completely misunderstood despite meaning so well; the type that find that easily get irritated but still go out of their way to help others; the type that will never accept that they mean well even if you tie them to a railway line and threaten their lives. And that gives a completely fresh and unique perspective to the story.

Reading ‘A man called Ove’ is like returning to your home at the end of a tiring day and finding your loved ones sitting at the dinner table waiting for you, Imagine that feeling and multiply it with the number of chapters in the book, and that might give an estimation of how I felt about this book. This is how my thoughts went while reading it (in similar order):

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I swear this is a book about my grandfather

#2
Wait. Why am I relating so much to a grumpy old man who doesn’t like espresso machines?

#3
I wonder if all old people are like this.

#4
Awww….

 

Literally. This is how I felt at the end. I realized that there is as little we understand of the people we know as we are quick to form opinions about them. I started as the salesman at the electronic store who was ready to hand Ove the ‘Most Annoying Customer of the Day’ title and ended up as the kid who’d paint the entire world in monotone and just Ove in colour.

Reading this book is like loving someone, and as Sonja (Ove’s wife) puts it

“Loving someone is like moving into a house. At first you fall in love with all the new things, amazed every morning that all this belongs to you, as if fearing that someone would suddenly come rushing in through the door to explain that a terrible mistake had been made, you weren’t actually supposed to live in a wonderful place like this. Then over the years the walls become weathered, the wood splinters here and there, and you start to love that house not so much because of all its perfection, but rather for its imperfections. You get to know all the nooks and crannies. How to avoid getting the key caught in the lock when it’s cold outside. Which of the floorboards flex slightly when one steps on them or exactly how to open the wardrobe doors without them creaking. These are the little secrets that make it your home.”

Backman has such a talent for putting feelings into words that it leaves you speechless. Like all your life, you’ve been wanting to say the same thing but didn’t know how. And he comes along and frames those thoughts into sentences more true and beautiful than poetry.

The humor is one thing I felt the writing fell short of. The prose is often interposed by lines of dry humor which barely draw a chuckle. Still, a bit of it can be justified by Ove’s character which might lean more towards humor of this kind. I chose to give Backman the benefit of doubt in this case because the writing and story is beyond such small tidbits.

If you like indie music and slice-of-life series; and your catchphrase is cut-the-drama, you’ll probably like ‘A man called Ove’. Even if it’s not and you’re looking for a slow read, I’ll highly recommend this.

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Comikist – My comic pick list

I have just recently been washed up on the shores of the gigantic sea of graphic novels. I like to think that I’m not a complete novice, because I am somewhat familiar with the world of manga. But the fact that I’m fairly new to graphic novels, is still just that – a fact. I’ve been picking up and sampling a number of comics these days, and here’s my opinion on some of the Marvel ones.

bp-coverBlack Panther #1 – #8: Ta-Nahesi Coates, Brian Stelfreeze, Laura Martin

Black Panther has been one of my favorite avengers ever since I read Civil War. He has that mysterious aura around him (which has nothing to do with how he always wears black) and his personality, which jjust exudes class. My interest in him is also somewhat influenced by Storm being his love interest and their wedding scene from Civil War which was just breathtaking.

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Coates however divulges into the world of Wakanda with utter submission. He never fails to bring in subtle aspects of the culture which I can only partially appreciate as I’m not as acquainted with African culture as I would like to be. He doesn’t give up the questioning yourself characteristic trait of a superhero, though it is more subdued (maybe because Wakanda is so obviously in chaos and everyone is doubting T’Challa anyway).

What bought me over to Coates’ side is the constant discourse on monarchy and politics which definitely gives you something to chew on.

Without doubt, these discussions are the treasure trove of the black panther comics. Brian Stelfreeze does a wonderful job with the art. I love the simplicity of T’challa’s costume, the masks that capture the rebelling women and how the colours flow from Wakanda to the dream world to where the rebels are hiding.

This comic has the potential to be a gem in Marvel’s crown of comics with its thoughtful discussions and beautiful art.

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Mosaic #1 & #2: Geoffrey Thorne, Khary Randolph, Emilio Lopez

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Remember how I was talking about the self-doubting superhero in Black Panther, Thorne takes all that self-doubt into his hands, wraps it in a fabric of moral obligations, and throws it out of the court of Mosaic.

An acclaimed and repulsively overconfident basketball star, Morris, who has everything in his life – skills, fame, a loving girlfriend, a father as constant support – suddenly has everything brutally taken away from him leaving behind a superpower that feels more like a curse. The only way for Morris to survive is by possessing (or rather becoming) other people and living through them.

The simplicity of the art in the comic contrasts with how intricate Morris’s powers are. Since the comic is in the starting stage, the story is still not developed enough to form a definitive opinion.

One thing I’m really looking forward to is how Morris grows into his superpowers and his view on being a superhero, because he is definitely not one right now.

I also like the name ‘Mosaic’ as a complement to Morris’s powers. Even if the people he’s lived in may forget what happened to them, Morris does not. And some part of them remains in him and will definitely affect his personality. I really like the lettering in the books, done by Joe Sabino, especially when Morris has a personality breakdown during body snatching.

As Mosaic is still developing, I will just be another reader on the sidelines. For now, I can say that it is definitely grippy.

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Groot #1-#5: Jeff Loveness, Brian Kesinger

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This is my first comic on anything related to the Guardians. I’m surprised myself that it took me this long seeing how much I loved the movie. But somehow, Guardians without the music did not really appeal to me that much. However, I feel like I didn’t understand enough of Groot’s personality in the movies except to recognize him as an overly friendly tree who’ll go to any lengths for his friends.

I wasn’t a fan of the art style chosen in the comic. The lining was too harsh even though the expressions were interesting. I didn’t get the dig at Superman with the Kor/Al scene either. What I did like about the comic was how Groot’s character was center stage. You could see the effect he had on people around him, even with his limited three-word vocabulary. The little adventure with silver surfer was fun too.

I wouldn’t call Groot a favorite, though it is good enough for when I’m missing the duo. I did have doubts about the series since it stars a character that can hardly speak. But I soon realized that Groot’s personality needed no more words. I may still grow into the comic. 

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The Mighty Thor #1 – #7: Jason Aaron, Russell Dauterman, Matt Wilson

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The new Thor has been raging strong in The Mighty Thor continuing from where it left off in Thor. The war of the realms that was hinted at since the beginning is finally gaining speed as more realms are thrown into turmoil. I have been a fan of Aaron’s work ever since the first Thor came out. Feminism aside, what drew me into the story was that the new lady Thor is just so… badass. And when the identity was finally revealed at the end, it was a perfect win.

If you’re into women superheroes or even if you would like to give it a start, this is just the book. If not that, the Thor universe in itself is pretty sticky. There is a lot happening in this series with rainbow bridges, light elves, crazy CEOs, Loki being Loki, the All-Father being incredibly stubborn, Malekith being enchantingly evil, and Thor flying around wielding Mjolnir. 

I also forayed into The Unworthy Thor just so I can know what was happening with Odinson all the while that the lady Thor was stealing all the glory. All because the new  comics got me so into the world of Asgard.

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That is all on my mind from the Marvel side of the universe.

So what have you been reading lately?

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One Piece Museum Tokyo – My Experience

The Strawhats celebrating around a table with Nami sitting holding a beer mug, Luffy and Usopp dancing around and Robin sitting and looking at them fooling around

Let me warn you first. There is a huge side effect of visiting the One Piece Tower. And that is a strong unbeatable urge to rewatch the entire damn series from episode 1. If you are a One Piece fan, you would know how dangerous this could be for your social life. I couldn’t fight it and now I’m stuck in Baratie waiting for Enies Lobby to happen and all those feels to hit again. So, consider yourself warned.

Getting there

  • If you’re travelling on a Tokyo Metro pass, you can take the Hibiya Line to Kamiyachou station and then walk towards the Tokyo Tower (700 meter walk). The red tower is really easy to spot so you wouldn’t have much trouble.
  • Alternatively, if Toei line works too, you can take the Toei Mita line to Onarimon station (850 meter walk to Tokyo Tower) or the Toei Oedo Line to Akananebashi Station (650 meter walk after that).
Tokyo Tower
One Piece museum globe exhibition in front of Tokyo Tower
Tokyo Tower

Tips before you go

  • Try and get the tickets online here if you want to save on the 200 yen.
  • If you can, take atleast one person with you so you don’t have to randomly ask strangers to get that pic with Law. Go on a One Piece fan hunt if you have to. Going alone is not that bad either, just a little inconvenient
  • Check the timing of the live show when you reach and keep it in mind so you don’t miss it. There are machines near the entrance of the show where you can get tickets in advance and you need those tickets to get in. On a day with more rush, don’t forget to get those tickets as soon as you reach.

The Experience

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I cannot begin to describe what the One Piece tower meant to me. It was an afternoon of wonder and pleasant surprises. There are a lot of activities so maybe going in a group will help. But if the group is devoid of One Piece fans, you’ll find yourself in many awkward overexcited situations with your companions giving you a blank look probably rethinking your friendship.

The one piece segment spans three floors of the Tokyo Tower. The entrance ticket costs JPY3000 if you get it online and JPY3200 on spot. It is a horde of picture points and games. The picture spots made me regret going there alone a little but it was a successful visit nonetheless. There was one game for every member of the crew and also, a live show.

Highlights

The Entrance

As soon as you enter, after watching a 360 degree theater with heartfelt scenes from across all seasons of the series, you end up in a dark room with the Strawhats lurking in every corner. The figurines are so realistic I almost lost my mind.

One Piece Museum Tokyo
Marimo and Curly brow
More of the crew’s Hangouts
Frranky Shogun
Bone to be wild

Zoro’s Soul of Edge

The entrance to the attraction is an exhibition of all kinds of katana’s. You’d waste no time in spotting Mihawk’s huge sword hanging down the wall to your right as you go in. The line leads you into a small booth where they give you one (unreal) katana and make you stand facing a screen. You then have to fight a pacifista and random cannon balls as the software registers your real life moves. When the pacifista shows up, you have to get into a particular stance which is also the time when they take a sneaky little pic you can buy later for a 1000 yen. I didn’t have that much money so I just took a pic of the pic but I encourage you to make a decisive and amazingly Zoro like one so you are proud of yourself instead of laughing maniacally and spoiling the pic.

A huge sword with blade black as night and a golden hilt hung at the center of the wall; Dracule Mihawk's cross necklace is hung to the right
Yoru – Mihawk’s sword

Robin’s Finding Poneglyph

Here they give you a real talking denden mushi. You heard it. A.real.talking.Denden Mushi. And you know who is talking from the other side? Can you guess? It’s Robin. Robin. She was talking in Japanese so I didn’t understand shit but I think I can rest in peace now.

The game itself is about finding hidden poneglyph marks all over the place, scanning it with the denden mushi and finding more of them. I drifted into all sorts of dark and probably non-visitor places in the amusement park carrying it, so the game can be a bit dangerous for overexcited people with no sense of social boundaries. While the game itself is pretty enjoyable, you feel like a stalker sometimes when you follow other groups with a denden mushi hoping they’d lead you to other poneglyphs. There are also nicer people who’d tell you where they found the hidden symbols themselves so you do not have to resort to your baser instinct. I turned out to be pretty bad with this though with a measly 56% of the poneglyphs found.

Brook’s Horror House

The name says it all. For me the funniest part of this attraction was the family in front of me. In particular, the son in the family in front of me. It was like a comedy skit. The boy was so scared of the house that he ran out of the place and then came to tell me it was too scary for him and that I should leave too. Two seconds later, his mom came rushing out looking for him trying to take him back in. Seeing her brother get all this attention, the little girl stomped out of the house and away from the attraction followed by her father asking her to come back. Somehow the entire family gathered and went back into the house, before the boy apparently decided he really couldn’t take it, got out again and walked towards the exit from the outside to wait for his family.

The horror house was not really scary (‘You’re a scaredy cat, little boy’), and if I’m saying it’s not scary, you can probably skip through it taunting all the wannabe demons. It was an alright attraction. The best part was catching a glimpse of the ghost woman, Perona.

Chopper Southend sunny issue Exploration

You have to go here. Actually there will be so much time you’ll probably go to all the attractions but I really took my time with this one. It had Sanji and the kitchen, Nami’s and Robin’s room with their cabinet and clothes and little animation snippets with Chopper and Brook.

Sanji in the Kitchen
Robin’s and Nami’s Closet
Robin’s Closet
Nami and Robin’s Room

Luffy’s Endless Adventure

A life sized figurine of luffy's back as he walks forward

Can I just say this is the best part? It is like an interactive animation of the entire series and a retelling of the precious moments of all the Strawhats. I almost cried here. There was Shanks giving Luffy the hat, the Enies Lobby scene with Robin, a model of Nami’s map room at Arlong’s that Luffy destroyed and… Ace. It was like a tribute to all that has happened in the series till now. They played little parts of the movie on a huge screen at the end too.

Shanks bequeathing the Strawhat to Luffy
Enies Lobby – ‘I want to live’!
Luffy’s Memories
Luffy’s Memories
Tunnel of Flames – The road to Ace’s memory
Hall of Mirrors
THE DOOR!! The door where Luffy recovers from Magellan’s Poison
Aaccccee guuunnn!!
Ace
Strawhats in the News

The Live animation

Frankly, this was not as interesting as I thought it would be no matter what the pictures make you think. Infact it was a bit funny and kiddish at some points because the characters’ faces did not really match with the characters. A great experience nonetheless.

Scene from the live action show – Luffy, Law and Kizaru
Scene from the live action show – Sanji and Zorro

Mugiwara and Tongari store

The Tongari store is inside the amusement park. The best thing I found there was the Franky hand pillow (you heard it). The mugiwara store on the ground floor of the Tokyo Tower has a huge collection. The best part is the One piece soundtrack playing in the background while you shop.

I think that the One Piece Tower is a place all One Piece fans will enjoy. It is a half day in Tokyo you would never forget.

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More on travelling in Japan

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Norwegian Wood (Haruki Murakami)

So, I finally got around to reading a Murakami book and for no particular reason, I ended up picking Norwegian wood. It was a pretty decent read, and quite different from my usual fantasy novels.

What I liked the most about this book was, well, the writing style. Murakami has this way of drawing you in. Of course I haven’t read any of his other books, I have them on my to-read list already, because he doesn’t seem to be a disappointing writer. The characters were another strong point of the book. I liked how the protagonist refrained from categorizing characters, since no person can be fairly tagged with a single adjective. Murakami himself didn’t indulge in explaining each and everything everyone in the book did and he left a fair portion of the people in the book a mystery to the reader, just like in real lives. More than anything else, he presented an amazing variety of characters, who I found a little weird in the beginning, but got used to very quickly(not to mention one of them closely resembled one of my friends). To put it simply, Murakami’s characters were strange. They were easy to fall in love with, and they felt real.

That being said, the plot didn’t seem a very huge aspect of the novel. It was fairly predictable, but that didn’t make the book any less appealing. The characters were constantly juggling with love, death and life(and sex). A lot of death and sex. Quite a few of them ended up killing themselves and almost all serious conversations ended up with sex. The suicides were off-putting for me. I’m a fairly optimistic person, and suicides never seem to be the right choice to me(I may be naive in thinking so, but that’s my take for now). Death is too extreme, and, well, it ends all other future options, and I can’t help but think that there has to be some other alternative. This was probably why I couldn’t like the book as much as I wanted to.

Anyways, it had many good quotes, and here are a few I liked…

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The main themes of the book: life and death.

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For all of us who love to experiment different book styles, here’s a legitimate reason.

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Harder than it sounds. If only the characters followed through with it…

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A unique way to put it. I’ll be using this for sure.

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That does it. No more am I gonna pity myself.

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Makes sense. It would be too easy in a perfect world to push ourselves beyond our abilities.

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The sad truth..

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It was really a heartbreaking story. Funny how they are always the most moving.

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A great self-description. I started liking Nagasawa after this, though it didn’t last for long.

And that’s it. Norwegian Wood is a story about different people, how they reconcile with their pasts, and decide on the path they want to follow. It has a sad tone to it, and it obviously is not a very good choice when you’re looking for a thriller. There were some parts of the book that I absolutely loved and others that I didn’t feel strongly about(and a few that I disliked) , but it definitely got me thinking about a lot of things. It’s a book that I’d like to discuss.

Rating: 4/5